Maura Moynihan�s remarkable journey has taken her from the
privilege of being born the daughter of former New York Senator Daniel Patrick
Moynihan to higher education at the Corcoran School of Art in Washington, D. C.
and Harvard where she also performed in numerous alternative rock groups (most
notably the Velvetones) as lead vocalist, drummer, and go-go dancer. But
perhaps the most significant event in her life was a pivotal trip to India with
her father in 1973 when she was 15 and he was the US ambassador to India.
She later studied Sanskrit and Urdu in India, along with
ghazals and Bharatanatyam dance, yoga and Buddhism. She also pursued painting
with masters in India and Nepal, and particularly Hindu and Buddhist
iconography in Dharamsala and in the Kathmandu Valley. After a successful
career as an actress and comedian (she appeared in several movies and on TV and
had her own stand-up comedy show), the striking performer gave it all up,
without regrets, to help Tibetan refugees in India and Nepal.
Having immersed herself in all aspects of South Asia, then,
Moynihan is no culture vulture in the manner of a Madonna, say. And while she
may not be as pioneering as Madonna when it comes to being ahead of everyone
else in terms of musical trends, her own brand of dance music, as demonstrated
on her eclectic album Yoga Hotel, is just as listenable, more
substantial (World peace through dance is its motto), and a whole lot
warmer though not at all lacking in sex appeal.
The songs involve Moynihan�s life in South Asia including
the spiritual aspects and were mostly written while walking the streets,
visiting Buddhist temples, or even attending discos in India, Nepal, and Tibet.
The divine lead track Vision of the Light seeks guidance from the Boudha
Stupa in Nepal, and showcases Moynihan�s lovely, unaffected singing voice in an
entrancing new age-y context. But next cut Khampa Boy, about the
warriors of Eastern Tibet who saved the Dalai Lama by smuggling him into India
years ago, takes on a lively, rhythm guitar-driven funkiness, with Moynihan
sounding more like a seductive Debby Harry.
Next comes the title track, which is about a friend�s house
in Nepal and features a fusion groove with its electric rock guitar parts
flying above an Indian drum-Indian percussion and bordering on cute, but
Moynihan brings such a sense of innocence and playfulness that she pulls it
off.
Sexy Tsering also risk dismissal over its cuteness
quotient, but Moynihan�s hip-hop whisperings again work because of her winsome
vocal presence and the jazzy guitar track�s subtle techno enhancements. Tell
Me (How to Say It) offers a sort of Indian Go-Go in building upon
the native Washington, D.C. funk/dance go-go style, so known to Moynihan�s
chief collaborator on the album, the D.C.-based
guitarist/vocalist/arranger/producer Wynne Paris.
Chakra Chant was inspired by Monihan�s visits to
Pashupatinath, and is her most successful assimilation of Eastern and Western
musical elements. Green Cards and Blue Jeans is again Blondie-esque,
this time with more of a Caribbean calypso flavor. Take Me Home is more
traditional ballad pop in its approach, while Five Days and How It
Feels (Ode to Kathmandu) bear remnants of the alternative guitar rock of
her formative music years.
But the album�s most emblematic track is Purify Me. A
plaintive Chinese-sounding lament combining the Tibetan tanyen lute and
flute with sisterly backup vocals resembling the Roches, the song is �a prayer
for the pure land,� according to the lyric sheet, and pleads for Tibetan
liberation. As such, it most fully integrates �Indian and Tibetan music and
mysticism with funky rock and a sense of social activism,� which as cited in
the CD booklet, is what Yoga Hotel is really all about.